Newspaper & Breakfast Buffet as in a Hotel

Körper mit verschiedenen Schichten

Hinterm Schlagzeug und eine Person im Publikum

Dynamik aus dem Schlagzeug heraus

INhabit 2018/2020

In 2018, I collected mental images of home in my INhabit project with the help of around 60 narrative interviews from Italy, the Netherlands, Belgium, Israel, the Czech Republic, Germany, Thailand, etc. During the lockdown, for many „home“ became a home office. Professional and private activities all took place in the same place. In 2020, I juxtapose the mental images from 2018 with new conversations with the same interviewees. These are presented on posters at bus stops during the festival in the public space „ADAPTACJE"
in Gorzów Wielkopolskie (2021), curated by Marta Gendera.

2018 sammle ich in meinem Projekt „INhabit“ Vorstellungen von Zuhause mithilfe von ca. 60 narrativen Interviews aus Italien, Holland, Belgien, Israel, Tschechien, Deutschland, Thailand etc. Während des Lockdowns wurde das Zuhause für viele zum home office und die beruflichen und privaten Tätigkeiten fanden alle am selben Ort statt. 2020 stelle ich die mentalen Bilder von 2018 erneuten Gesprächen mit denselben Interviewten gegenüber. Diese werden während des Festivals im öffentlichen Raum „Adaptacje“ in Gorzów Wielkopolskie (2021) auf Plakaten an Bushaltestellen präsentiert.

An extension to another space

Innerdeutsche Grenze (K. H. Stauffer)

Zuhause (A. A., 2023)

A. A. is a writer and dentist born in Deir Ezzor, Syria. He grew up in the Ar Raqqa region, which is characterized by a cultural and linguistic intermingling. In Damascus he pursued his studies and his profession. After a short stay in Mauritania, A. A. left Syria forever in 2013 and fled to Germany via Beirut (2015). In 2018, his family came to Germany. After successful language courses and medical exams, A. A. works now in Berlin as a dentist.

With A. A., we had our first space/biography conversation in 2016. Later we met again in 2021, 2022 and 2023. In continuing conversations we reflected on the changes in spatial biographical perceptions, . In this drawing series from 2023, we can follow reflexions on relations between memories and the feeling of home, the language and translocal and transnational social spaces.

Heutiges Leben: Erinnerungen in der Zukunft, (Gespräch mit A.A. 23.03.2023), Blei- und Buntstift auf Papier, 21 x 29,7 cm

Drzwi

W roku 2018 Simone Rueß przeprowadziła blisko 60 rozmów narracyjnych z osobami z Włoch, Holandii, Belgii, Izraela, Niemiec, Polski, Tajlandii i innych krajów. Po rozmowie artystka wizualizuje za pomocą rysunku wyobrażenia domu swoich rozmówców. W roku 2020 Simone Rueß skonfrontowała te wypowiedzi z doświadczeniem pandemii, dokumentując jak zmienia się postrzeganie przestrzeni domowej w izolacji na całym świecie (tekst: Marta Gendera)

Rome

2018, Adele Giacoia related the city Rome with the meaning of home and described it as a large, open labyrinth structure of books that you can walk through. 2020, the same city, Rome, was still connected with the meaning of „home“, but now Adele Giacoia created a mental image of a DNA-like structure, where you could only walk through mentally with the help of your memory.

Inhabit 2018/2020: During my residency and exhibition at the Triennale di Milano, 2018, I collected, in the form of narrative interviews, over 60 mental images of home, from people from Europe, Taiwan, Israel, etc. During the pandemic lockdown 2020, for many people, the home became the home office. Professional and private activities took all place in the same place. I met my interviewees of 2018 again, this time virtually, and I asked for their current mental image of home in times of pandemic lockdown. Transformed into drawings, the contrasts between the ideas of home from 2018 and 2020 are presented on posters at bus stops during the festival in public space "Adaptacje" in Gorzów Wielkopolskie, 2021.

appartement

Körper mit verschiedenen Schichten

Hinterm Schlagzeug und eine Person im Publikum

Rome

My flat

Suitcase and cupboard