Newspaper & Breakfast Buffet as in a Hotel

Körper mit verschiedenen Schichten

Hinterm Schlagzeug und eine Person im Publikum

Dynamik aus dem Schlagzeug heraus

Vielschichtige flexible Gebilde

Nehme Klangwellen auf und transformiere sie

Zuhause – Hinter dem Schlagzeug

INhabit

Home is the central place from which our everyday activities start and return. In the INhabit project, I explore what ideas individuals actually have about home. In conversations, I ask people to describe their individual mental images of “home” and then transform them into drawings. The constantly growing collection of images of the most diverse perceptions of “home” includes around 60 interviews with people from Italy, Holland, Belgium, Israel, the Czech Republic, Germany, Thailand etc. The conversations on which the drawings are based took place live in the exhibition 999: A Collection of Questions on Contemporary Living, 201. During the Covid pandemic, I was gradually contacting the interviewees again in 2020 in order to follow the changes in their ideas as a result of the lockdown.

Das Zuhause ist der zentrale Ort, von wo aus unsere alltägliche Aktivitäten starten und zurückführen. Welche Vorstellungen der/die Einzelne von Zuhause tatsächlich hat, beleuchte ich in dem Projekt INhabit. In Gesprächen lasse ich mir individuelle mentale Bilder von „Zuhause“ beschreiben und transformiere diese anschließend in Zeichnungen. Die stetig wachsende Ansammlung an Bildern unterschiedlichster Auffassungen von „Zuhause“ umfasst bisher um die 60 Interviews mit Menschen aus Italien, Holland, Belgien, Israel, Tschechien, Deutschland, Thailand etc. Die den Zeichnungen zugrunde liegenden Gespräche finden live in der Ausstellung 999 Questions on Contemporary Living 2018 statt. Während Corona kontaktiere ich 2020 nach und nach die Gesprächspartner*innen von Neuem, um die Veränderungen der Vorstellungen durch den Lockdown zu verfolgen.

The exhibition 999: A Collection of Questions on Contemporary Living was a "sweeping investigation of the concept of house and home, living and dwelling, on the borderline between the physical and digital worlds." It was concepted as an ever-changing exhibition, which evolved in space and time "through communities, companies, activists, schools, multinational corporations, informal groups, research centres, designers, and artists. The exhibition was conceived and curated by Stefano Mirti and took place at La Triennale di Milano from 12 January to 2 April 2018. As an artist-in-residence at BASE Milano, I was invited to contribute to this show with the participative project INhabit during within 3 weeks.

Exhibition view (detail), *INhabit* a participative project as part of *999: A Collection of Questions on Contemporary Living* at La Tirennale di MIlano. Photo: Simone Rueß.

An extension to another space

Rome

2018, Adele Giacoia related the city Rome with the meaning of home and described it as a large, open labyrinth structure of books that you can walk through. 2020, the same city, Rome, was still connected with the meaning of „home“, but now Adele Giacoia created a mental image of a DNA-like structure, where you could only walk through mentally with the help of your memory.

Inhabit 2018/2020: During my residency and exhibition at the Triennale di Milano, 2018, I collected, in the form of narrative interviews, over 60 mental images of home, from people from Europe, Taiwan, Israel, etc. During the pandemic lockdown 2020, for many people, the home became the home office. Professional and private activities took all place in the same place. I met my interviewees of 2018 again, this time virtually, and I asked for their current mental image of home in times of pandemic lockdown. Transformed into drawings, the contrasts between the ideas of home from 2018 and 2020 are presented on posters at bus stops during the festival in public space "Adaptacje" in Gorzów Wielkopolskie, 2021.